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Friday, November 19, 2010

Start Your holiday Season With Some Old-fashioned Fun at the 15th Annual Arts & Antiques Open House in Olde Towne Portsmouth!


Friday, November 19, 2010
5 p.m. til 10 p.m.

Kick the holiday season off in style and support your local small businesses. Skipjack will be serving refreshments and hosting three or our favorites...back by popular demand!

"From Rockland to Hampton Roads" 
featuring original coastal watercolor paintings by Virginia artist Shirley Cook. 
"Eddies" watercolor by Virginia artist Shirley Cook.
Schrimshander Anthony Perry will be demonstrating
his delicate art form during 
First Friday at Skipjack

Schrimshawed antique whales tooth by Anthony Perry

"Unforeseen Circumstances": A Novel by Debbiann Holmes



MEET THE ARTIST
Book signing with Portsmouth Novelist Debbiann Holmes
during First Friday at Skipjack

Finalist in the USA book awards for 2010 best book of the year in romance fiction!

ALSO
 Riverview Gallery will be featuring the Norman Goodwin Art Show and ceramic sculpture show by students of B. Kobylinska. 
 
Skipjack Nautical Wares & Marine Gallery & Riverview Gallery will be open together for this event. Come and meander through both galleries during Olde Towne's Arts and Antiques Open House!
Light refreshments served. 
And elsewhere on High Street: 
 
Visit Winter Wonderland: The Coleman Collection at Courthouse Galleries
 
Enjoy the 41st Annual Art Faculty Exhibition at the Visual Arts Center
 
History comes alive when you bump into our own Colonel Crawford
 
View antique cars and motorcycles parked along High Street
 
Start at the welcome table (free high chocolate!) at High Street Landing!


Located at One High Street on the riverfront in historic Seaboard Railroad Terminal, Olde Towne Portsmouth, Virginia.  For additional information, call Skipjack at 757-399-5012 and Riverview Gallery at 757-397-3207.


Thursday, November 18, 2010

"From Rockland to Hampton Roads" A New Collection of Nautical/Coastal Themed Watercolor Paintings by Virginia Artist Shirley Cook

"Boats Docked in Maine" watercolor on paper by Shirley Cook.

"I realize now that I am painting again that, although when I was not actively painting, my eyes were open and I was absorbing layer upon layer of images. I savored the beauty of God’s universe, stared at it, meditated on it, drank it in, stored it in my memory, unaware that I would  one day be painting it". These are words expressed by Virginia artist Shirley Cook about her recent collection titled "From Rockland to Hampton Roads" of over 20 new watercolor paintings now on exhibit in the foyer gallery at Skipjack nautical Wares. The collection is comprised largely of plein air paintings created during her last visit to Maine combined with regional views of Virginia's Chesapeake Bay coastline and the Virginia Beach oceanfront.


"Lobster Traps". Watercolor on paper by Shirley Cook.

Shirley earned her Bachelor of Fine Arts from Indiana University in 1971, and then she went off with my husband to minister the gospel to college students. She carried her sketchbook all the time until starting a family, at which time there was no longer room or time to pursue her artwork. So she took a 35 year sabbatical to be a wife, mother and missionary. I guess I “forgot I was an artist."


"Three boats, Rockland, Maine". Watercolor on paper by Shirley Cook.

"I am learning to paint from life or photographs and choose shapes and colors to make an intriguing composition. I like recognizable subject matter, but I don’t fuss. Ultimately I realize God has given me this ability and I hope to honor Him with all of it. My joy is in watching the painting develop to a stage at which I can say: I like looking at this."


"Owl's Head Light". Original plein air watercolor by Shirley Cook

Stop by and peruse through Shirley Cook's new collection of nautical/coastal themed watercolor paintings this month at Skipjack nautical Wares & Marine Gallery. You can also see a portion of the collection on-line on our web gallery. Please click here to visit her page.

Tuesday, November 16, 2010

Hog Island Lighthouse First Order Lens

The Hog Island First order Fresnel lens on the Portsmouth, Virginia waterfront.
"Shine on", guiding light--
I see your lighted beacon, shining "bright".

Your light is strong, shining bold and bright--
It can be seen for many miles, your "guiding" light.

Whether arriving from the sea, or standing real near--
Your light shines bright,
dissolving all "sense" of fear.

"Shine on", guiding light--
I feel safe, with a sense of home,
when I see your "bright" beacon light.


From the poem "Shine On" by Snow W. Frost
The Hog Island Pavilion stands sentinel on the Portsmouth, Virginia seawall in front of the historic Seaboard building that houses  Skipjack Nautical Wares & Marine Gallery.
 
Standing sentinel encased in a glass exhibit pavilion located on the seawall along the Elizabeth River in downtown Portsmouth, Virginia, is the retired first-order Fresnel lens from the historic Hog Island Lighthouse on permanent display.

The lens, the second largest lighthouse lens in the U.S., stands 10 feet tall and weighs 2,500 pounds. 368 prisms make up the reflective body of the lens.


Hog Island lighthouse lens is the second largest in the U.S.

The structure that houses the lens was designed to simulate the lantern room of a lighthouse is 16 feet in diameter and is approximately 25 feet from the floor of the pavilion to the top of the spire and the lens can be viewed from 360 degrees through the pavilion windows. The platform surrounding the structure is raised 4 feet above the surrounding grade to give the lens more prominence. Stairs and a handicapped accessible ramp access the raised platform.The lens is mounted on a turntable that rotates slowly, much as it once turned at the top of the Hog Island Lighthouse. Spotlights mounted at the ceiling of the pavilion reflect off the lens’ prisms creating a magnificent scene at night as the lens sparkles and shines.

The lens is on loan to the City of Portsmouth from the United States Coast Guard, and HBA was hired by the City to design a pavilion to preserve and showcase the valuable, first-order Fresnel lens.

Original Hog Island lighthouse on Virginia's eastern shore.

 HISTORY

The first Hog Island Lighthouse was built in 1852 and was a white conical brick tower. This lighthouse lasted until 1896 when it was replaced with a cast iron pyramidal skeletal tower with a central cylinder. This lighthouse was similar to the Cape Charles lighthouse today.

Both lighthouses were built on what was the southern end of Hog Island. Hog Island was the northern most part of the natural barrier islands of Virginia’s Eastern Shore.



By the 1920s the ocean had eroded much of the island. A hurricane in the 1930s claimed even more of the land. The lighthouse was demolished in 1948.

The 10-foot high lens, a first order produced by the Henry-LePaute company in France, was removed from the lighthouse before its final destruction. It is now on display on the Portsmouth Seawall adjacent to the High Street Landing. for more information and a printable brochure, click on this link.

Saturday, November 13, 2010

Skipjack's Porthole Mirror- A Nautical Classic

Large authentic aluminum porthole re-purposed into a mirror. Perfect for the nautical/coastal interior.
With a barrage of replica porthole mirrors available on the market today, there's certainly something out there at every size and price point for the nautical/ coastal home decorator. But if you're wanting something more than the typical knockoff, then take a look at Skipjack's classic nautical porthole mirror. Made with an authentic large opening ship's 2 or 3 dog portholes that we've recycled from the shipping industry, these are handsomely re-purposed into an impressive nautical mirror. These portholes are made from aluminum and salvaged from ships built in the 1970's/ 80's and made to the highest of marine specifications. Aluminum portholes are much lighter than their brass and bronze predecessors which makes them very usable as a wall hanging in any nautical/coastal interior.

Side view of our classic nautical porthole mirror.

An example of a porthole painted antique-white and mirroring an angel-fish sculpture.
These portholes are paint-able and we have a number available in a bright red and blue paint finish. The diameter of the glass is 15 1/2 inches and the overall diameter is 21 inch. The weight of each porthole mirror is approximately 22 pounds.

Close-up view of the dog closure.

You can buy these on-line at our web-store at this link: Skipjack's classic nautical porthole mirror or stop by our Olde Towne Portsmouth, Virginia showroom and pick one out! While supplies last! We also have a smaller version available. Here is the link to Skipjack's small aluminum porthole mirror.

Saturday, November 6, 2010

Your Hole in the Water

The Schooner Virginia docked at Norfolk's Nauticus. Photo by Claire Trego Goodwin.
A recent article published by a Hampton Roads newspaper titled "Your hole in the water- Virginia taxpayers shouldn't be forced to support private causes, like a schooner"  is a blatant attack on the now docked "Schooner Virginia." This same newspaper that has published numerous positive articles about the famed schooner, has now decided to change its position. So I feel inclined to republish the article and the current rebuttal written by Captain Stefan Edick, Master of the "Schooner Virginia." The newspaper I understand will publish Captain Edick's response, but in a condensed version.  So here it is in its entirety. Please write us and leave your comments. We thank you for your support of the "Schooner Virginia." Let's get her under sail once again!

Editorial: Your hole in the water
Virginia taxpayers shouldn't be forced to support private causes, like a schooner
October 27, 2010

Tied up to a dock in Norfolk is a wooden-hulled, two-masted, schooner-rigged, 122-foot long reminder of the kind of dubious decisions that elected officials sometimes make when the public money is flowing.

And flow it did in Virginia. Between 1999 and 2009, the annual state budget doubled from $22 billion to $44 billion. When the flow was particularly strong, the General Assembly was generous in diverting some of it to private organizations.

At least $5 million (about half of it federal transportation dollars that came to the state) showered down on the Schooner Virginia.

Why, you might ask, when colleges are underfunded and bridge maintenance is being deferred — and they were, even in those good days — did legislators think that the best use of public money was for a replica of a boat harbor pilots used in 1906 to guide vessels into and out of Hampton Roads?

Why indeed?

The intent behind the schooner was to use it to teach sailing and seamanship, compete in races and generally preserve the memory of the state's long maritime heritage. It is a good idea, and the Virginia is an impressive sight under way.

But it's an idea that should be not just run but also funded by the private sector.

While young Virginians need to learn many things to prepare for life in the 21st century, how to trim sail on a schooner is not one of them. And while the stated purpose of promoting Virginia tourism and economic development sounds nice, how exactly does that work? Are corporate relocation decision-makers actually swayed by a floating "goodwill ambassador," as the project's backers like to call the Virginia?

Often the first stop on the fund-raising campaign for a private project is the General Assembly building. Many of its members enjoy winning friends by snagging some money — not theirs, of course, but taxpayers' — for a favorite cause back home.

So Virginians who did not choose to contribute to the Schooner Virginia project were compelled to contribute. Just as they were compelled to contribute to several churches, lots of arts groups, more than one railroad museum and many local social service programs serving specific communities.

Sometimes these legislative favors make sense, when the project delivers a meaningful service for Virginia and Virginians and there's a reasonable connection to the public realm. But that's a hard case to make for the Birthplace of Country Music Alliance.


To the Editor:
By Captain Stefan Edick
Master, Schooner Virginia

A ship that is dead in the water makes for an easy target, and so it is no surprise that the Editorial Board of the Daily Press has seized upon the recent news coverage of the schooner Virginia to weigh in on the subject of the public funding used in her construction and initial phase of operations. Hindsight is acute, as we all know, and in the current economic and political climate the temptation to criticize public expenditure for all but the most basic necessities is all but irresistible. To use the current context to evaluate past decisions, however, is to employ a faulty critical faculty.

In times of prosperity great governments have, throughout history, chosen to make expenditures from the public coffers for the public good. Such was the case with the schooner Virginia, which received but a tiny fraction of the nearly $200 million per year Non-State Agency funding allocated by the Commonwealth. The funds were disbursed to a wide variety of civic interests statewide, and while one can look at the list of projects and debate their individual merits, it is shortsighted and capricious to take the stance that each was the result of “legislative favors” rather than as investment in civic advancement.

When conceived and initiated, the schooner Virginia was heralded as an effort to build a monument to the region’s history and potential, and to employ her as a traveling representative of both Commonwealth and common good. Educational programming was to be a key part of her operations, and Virginia’s elected representatives at every level supported the project wholeheartedly, as did the Fourth Estate, including the Daily Press.
Thousands toured the Harbor Park shipyard while she was being built, including schoolchildren from across the region, many introduced for the first time to the fact that such a magnificent vessel could be crafted by hand in traditional fashion.

When launched, the ship was celebrated across the region. She was perceived as a graceful and powerful testament to the capabilities of Southeastern Virginia, and while she could easily have been named “Pride of” or “Spirit of”, as other comparable vessels have, her simple naming spoke only to an eloquent representation of all the citizens of the Commonwealth.

the "Schooner Virginia racing the "Pride of Baltimore II." Photo by Fred LeBlanc
The ship was launched with a two-part mission, that of ambassador vessel and educational platform, and the editorial is critical of each facet without being particularly well-informed. As ambassador of the Commonwealth and Hampton Roads, the ship has been viewed and visited by hundreds of thousands at Tall Ships and port festivals throughout the Atlantic Basin, and has appeared regularly in national, international, and regional publications, including numerous front page or cover stories. She is the subject of tens of thousands of images on the Internet and in galleries up and down the Atlantic coast. Throughout, she is seen as a proud example of the ‘brand’ of the Commonwealth of Virginia.  A common metric used to gauge the economic impact of advertising places the value of her appearances at approximately $1.5 million dollars per year. In port at home and abroad, she has hosted civic and corporate receptions, and in Hampton Roads she has been employed by a host of organizations like the Elizabeth River Project to help support their own causes. Did she influence any “corporate relocation decision-makers”?
The answer to that question is elusive, but the question misses the mark.

Students, once placed in the demanding environment of a traditional sailing vessel, learn much more than how to trim sail, as the editorial suggests. Rather, they are charged with real work and real responsibilities as shipmates engaged in a common purpose, and one need only speak to the participants or their parents to learn just how powerful a positive impact the experience can have on their self-esteem and in introducing a new found awareness of their capabilities.

As an educational platform, the ship has provided a challenging, success- driven learning environment for hundreds of adolescent students from all demographic groups, drawn from the communities of the region and beyond. Here again, the editorial displays a stunning lack of insight: “sail training” is a generic term applied to the practice of experiential learning aboard traditional ships, and while learning the mechanics of sail are part of the practice, the ship is the medium, and not the full extent of the message. Students, once placed in the demanding environment of a traditional sailing vessel, learn much more than how to trim sail, as the editorial suggests. Rather, they are charged with real work and real responsibilities as shipmates engaged in a common purpose, and one need only speak to the participants or their parents to learn just how powerful a positive impact the experience can have on their self-esteem and in introducing a new found awareness of their capabilities.

In addition to the challenges of the ship and seamanship, students were instructed in the maritime history of the region and the coast, the ecology of the Chesapeake and beyond, and in the beauty and wonder of the literature of the sea. Adult students in dedicated programs were given instruction in celestial navigation and passage making, tutelage under professional and accomplished instructors and crew members valuable to the safety and success of their own individual pursuits on the water.

There’s even been a notable occasion on which the two missions have been combined. In the Halifax Tall Ships Festival of last year, the ship trained its complement of adolescent trainees to act as ambassadors of the Commonwealth, and utilized them as docents for the thousands of visitors that toured the ship. Each was able to demonstrate pride of accomplishment and pride of place in an exercise unusual if not unique among sail training ships. Have any of the thousands of Canadian visitors to Virginia Beach this year been influenced by their contact with these proud boys and girls? Again, the answer is elusive, but the question misses the mark.

The schooner Virginia has been a prominent participant in the Great Chesapeake Bay Schooner Race, organized annually to support the Chesapeake Bay Foundation’s efforts to protect and support the waterway. Here she’s developed a fiercely competitive yet gracious and thoroughly sportsmanlike rivalry with Pride of Baltimore II, and one could suggest that the rivalry’s example by itself would be valuable to both citizens and politicians in these contentious times.

So why, then, is the ship tied up alongside the dock at Nauticus? Here the editorial offers some constructive criticism, though again the thrust of the argument is faulty.  While the Virginia Maritime Heritage Foundation can be criticized for some of its managerial and administrative decisions, the writer fails to consider that the organization was and has been engaged in the process of weaning itself from the public funding that got the project underway, as the last of the state funding allocated to the ship ended in fiscal year 2008. During the transition, however, the failing economy had a dramatic impact on the group’s traditional donor base, and private efforts fell well short of the revenue required to keep the ship going into 2010.

In the ten months since the ship has been idle, concerted efforts have been made by the Foundation’s Board of Directors to achieve a solution to the administrative shortcomings that have caused the hiatus, and much progress has been made. Numerous determined Board members and former staff have been serving as volunteers to watch over this proud asset in fair weather and foul, and to pursue the recruitment of the constituency the editorial identifies in support of future operations.  To these ends we have been both assisted and inspired by a corps of dedicated volunteers, who have shown unflagging support of the vision with which the ship was originally launched.

Since the beginning date of the project, one can count some fifty-six stories in the Daily Press which feature the schooner Virginia either wholly or in part.  Many of these stories and accompanying photographs appeared on the front page, whether of a dramatic and dramatically nautical marriage proposal during the Jamestown 400th celebration, or word of schooner Virginia’s record-breaking run down the Bay in the 2007 Great Chesapeake Bay Schooner Race.  In these fifty six articles, there’s nary a word of criticism about the validity of the project or of the use of public funding in support of what is portrayed throughout as a vital asset valuable to all of your readership.

With more limited government resources available now and in the future, the schooner Virginia clearly will need to build upon its natural constituency to support its operations, and with determined effort will no doubt do so, perhaps as early as next year. Operating a sailing ship is no easy task in the best of times, and these clearly are not the best of times. It’s a shame the Daily Press has chosen to change tacks and jump on the bandwagon of criticism of this fine vessel after your paper has provided so much support for its construction and achievements.

Sincerely,

Captain Stefan Edick
Master, Schooner Virginia

COMMENTS:

It is disheartening that in troubled times some institutions target historic icons. The service to the youth & the maritime community that the Schooner Virginia provides truly cannot be measured monetarily, and any attempt to hamper her mission will only be a blemish on the Commonwealth.
Jim Goodwin 
  
Excellent letter to the editor, Stef.  Christina.

Wow, Well done! Linda G.

There are other cities in our region besides Norfolk. Can the VA become more regional. ? See what Portsmouth Hampton, and Chesapeake can do? Grants are on line in Portsmouth - under museums and fine arts on the city web page. There isn't much money, but together we may make a difference.
Susan C.


Thursday, November 4, 2010

First Friday Events at Skipjack & Riverview Gallery


Come and visit us this Friday evening at
Skipjack Nautical Wares & Marine Gallery
and Riverview Gallery
as part of  Olde Towne Portsmouth's 
First Friday Events!


Friday, November 5, 2010 
5 p.m to 8 p.m.

"From Rockland to Hampton Roads" 
November 5th to December 1st, 2010
featuring original coastal watercolor paintings by Virginia artist Shirley Cook. 
"Eddies" watercolor by Virginia artist Shirley Cook.
Schrimshander Anthony Perry will be demonstrating
his delicate art form during 
First Friday at Skipjack

Schrimshawed antique whales tooth by Anthony Perry

"Unforeseen Circumstances": A Novel by Debbiann Holmes



MEET THE ARTIST
Book signing with Portsmouth Novelist Debbiann Holmes
during First Friday at Skipjack

Finalist in the USA book awards for 2010 best book of the year in romance fiction!

ALSO
 Riverview Gallery will be featuring the Norman Goodwin Art Show and ceramic sculpture show by students of B. Kobylinska and Kevin Turner on the guitar. 
Skipjack Nautical Wares & Marine Gallery & Riverview Gallery will be open together for First Friday. Come and meander through both galleries during First Friday!
Light refreshments served.


Located at One High Street on the riverfront in historic Seaboard Railroad Terminal, Olde Towne Portsmouth, Virginia.  For additional information, call Skipjack at 757-399-5012 and Riverview Gallery at 757-397-3207.

First Friday is a stage for local merchants & restaurants in Portsmouth's Historic Olde Towne and one of the city's most popular evening escapes. Held the first Friday of each month, Olde Towne Portsmouth's thriving arts & antiques community opens it's doors along the 12 historic squares of High Street located between Effingham Street and the riverfront where crowds of casual browsers as well as serious buyers come to each festive event to visit our fine art galleries, quality antique shops and unique specialty stores, some host receptions and art exhibition openings.
First Friday is held each month, rain or shine, year round. There is no admission fee for First Friday - participating galleries are open to the public.


Sunday, October 31, 2010

Nautical Belts for Men & Women at Skipjack

Looking for the right nautical belt?  Well here's a selection of some of our new and all time favorite seriously sea-worthy nautical inspired belts that will certainly satisfy even the saltiest of tastes!

Skipjack's sailor macrame nautical belts are available in a variety of colors
 The Skipjack collection of  nautical belts is perfect look to wear with your favorite  jeans, khakis, or corduroys. This timeless classic cotton web ribbon belt for all seasons has full grain drum-dyed leather billet and buckle ends accentuated by the solid brass buckle.  Also available with solid brass or nickel-plated solid brass “D” Rings. Check out our full line of  Skipjack's nautical wears and boating apparel at: Skipjack Nautical Wears

Skipjack's sailor macrame braided web nautical belt in natural line (pictured above and below) is available in five different colors, each created with full grain leather belt ends and solid brass buckles. A great nautical look for men, women and children too. Skipjack's sailor macrame nautical belt

Skipjack's nautical sailor macrame belt is available in five colors.

 
The classic nautical signal flag belt is available with your choice of red or white webbing as a background to the signal flag ribbon. Skipjack's nautical signal flag belt

Nautical signal flag belt in red or white webbing at Skipjack.
Feeling a bit piratical? Then choose our skull and crossbones belt. Available in red or white webbing with red bandanna or on hot pink with pink bandanna for our female buccaneers!
Skipjack's skull and crossbones nautical belt

Skull & Crossbones belt.

Skipjack's crossed oars nautical belt comes in navy blue with gold thread oars and trim cotton web ribbon belt is perfect for all seasons. Skipjack's crossed oars nautical belt

Crossed oars nautical belt
Go fishin' in style with our striper nautical sports belt. Comes in navy blue on a moss green webbing.  Skipjack's striper nautical sports belt Wanna go striper fishing? Visit stripers247.com

Skipjack's striper nautical sports belt.

The classic schooner under full sail on ocean blue waters is one of our most popular nautical themed ribbon belts. Skipjack's schooner nautical belt

We're all about schooners here at Skipjack representing both the "Schooner Virginia"  and the schooner "Spirit of Independence." Check out our blog "Schooner Racing on the bay" at http://racingthebay.blogspot.com/ and see the world's largest gathering of schooners each October right here in Olde Towne Portsmouth, Virginia. Go to: http://schoonerdays.blogspot.com/

The Skipjack Schooner nautical belt for men and women.

We stock sizes 32 to 46 at our riverfront store here in Olde Towne Portsmouth, Virginia. Smaller sizes starting at 20 and sizes larger than 46 are available too. Expect up to two weeks upon order for receipt.